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Showing posts with label armpits. Show all posts
Showing posts with label armpits. Show all posts

Tuesday, March 8, 2016

Groins Away: A Way To Firm The Tummy, Lengthen Spine, and Try Bakasana

This shape of spine is key throughout the sequence

Here I give you some key instructions that can support a beautiful transition from kneeling plank to down dog to bakasana.

Watch the video first.  You can see the a side view and the front view in the same video.  I have sped this video up so this whole sequence actually took 2 minutes in real life.  I am really trying to emphasis some good slow mindful movement. 

The instructions below should help firm the tummy and armpits while giving a sense of length in the spine (neither stretching nor tightening).  

The key instructions here are to push front of groins to armpits and armpits to front of groins.  Then, if you can add something else, press your hands forward and your knees back.  You should start with feeling relaxed in your tummy.  You should be able to breathe naturally into your belly throughout although it will become firm through the instructions (but not by sucking it in). 



Kneeling plank
 In this kneeling plank make sure knees are behind hips, shoulders over wrists.

Sitting bones move down towards backs of knees, front of pelvis lifts to the lower back to lengthen the lower back.

Lift lower ribs towards the back of chest to lengthen around the middle and upper back.

Press front of groins towards the armpits and armpits towards the front of groins without moving the body forward.  This should bring a postural firmness to your tummy.

If you can manage, press hands forward and knees back while you maintain groins and armpits moving towards one another.

Half child pose
Quite honestly I did not know what to call this position.  It is halfway between kneeling plank and balasna (child's pose).

I move very slowly back into this position.  I am not trying to get my bottom onto my heels.  I am thinking about maintaining the key actions I established in the previous position.  As I move back my challenge is to keep feeling as though I am moving my groins forwards.

See the spine stays the same shape.




Partial lift
Here I focus on keeping the groin-armpit connection then go back again to pressing hands forward but toes and heels backwards.  This combined effort causes my knees to become light.  They start to lift of their own accord.

Downward dog
I keep with those four actions:
  • armpits to groins
  • groins to armpits
  • hands pressing forward
  • feet pressing backward



Walk forward
Maintaining those actions (you might need to let up on pushing feet back because they start to be less on the ground), bend your knees and walk your feet forward.  I tip-toe forwards trying to stay as light on my feet as possible. 

Bakasana
If I keep pressing armpits to groins and vice versa, press hands forwards, lift knees up to chest, rest them lightly on the back of my arms, press elbows back and towards one another and just keep breathing and leaning forward then you might find yourself floating.  Maybe you stay on tip toes.  Wherever you are be happy wherever that is.  Keep working on being where you are and staying for a little bit longer until you feel comfortable moving to the next stage.  


Remember, nothing should hurt.  If you have not developed the correct strength and actions around the wrists then you need to work on clawing with your fingertips and pressing the wrists into one another and just have less weight on the wrists until you are ready to shift more weight there.

Have fun.

Remember, these videos are primarily intended for my own students so I can give adjustments and comments and personal feedback.  It is always best to go to an actual teacher rather than learn off the internet.


Oh, and don't forget about my retreat in Sri Lanka this April 2016.  Come along if you can!

Much metta,
Samantha

www.yogacafecanberra.blogspot.com
www.yogacafelk.blogspot.com

Sunday, March 22, 2015

Foundations For Handstand: High Plank



A handstand is an arm balance.  The foundation of the arm balances I do is the high plank.

If I was super strong I could transition from my high plank to bakasana then to a handstand.  But I am a bit weak.

Not all high planks are equal.  Some will not teach you the requisite postural firmness you need for better arm balances.

In this post I show a video where I give some of the fundamentals of the high plank that I do that changed my practice phenomenally and helped me to develop into this handstand.

Watch the video first to see the movement in action.  Then follow the step by step instructions.  I have written about bakasana before so you can also refer to that post (bakasana on a block).

Do not do anything that hurts.  It is better to practice with a teacher.


Get Set
Come onto your hands and knees.  You need to make sure you are using your hands properly so you don't feel sinking into your wrists.  This means pressing with your fingertips, feeling as though you are trying to grip at the floor or make fists.  Imagine there are little holes in the ground like a tenpin bowling ball that you are trying to press your fingertips into to lift up the ground.

Knees are behind hips.  Shoulders are over wrists.

Lift ribs into upper back. Can you see how rounded and lifted my upper back is?  This feeling of being broad across the upper back is important.  I feel as though I am pushing the arms downwards into the floor.  My shoulder blades come right around the sides of my chest.

My sitting bones go down towards the back of my knees and top of pelvis moves towards the sky to lengthen my lower back.  My lower back is not arched.

The sense is the entire back of my body is lengthened.  This shape is important.  You will need to maintain it.

The actions in my arms are important and maintained.

I push my armpits in the direction they are facing.  Here that sort of means down and back.

I push my hands down and forward--away from my knees.

I feel as though I am pulling my knees towards my hands.

I feel as though I am pushing my hips forwards towards my hands but they do not go anywhere.

You cannot really see these actions.  That is what makes the practice of this posture difficult.  My kneeling plank is already cultivating a postural firmness for me so that my tummy is getting firm through the posture but in a way where I can still feel that when I breathe the tummy can move.

In fact, if you look at my waist area you can see it is like I have little gills there--you can see movement when I am breathing.  I am breathing a lot here! It is hard.  If I could I might try to breathe less.

Lift Up
Maintaining all previous actions, I put the tips of my toes on the ground and lift my knees.



I am careful not to sag my chest or lower back.

Performed well, you should feel very firm in the tummy area without needing to actually try to firm it.  It should come naturally because of the posture.

See how I am trying to be right on the tops of my toes.  Not the balls of the feet.  That is important.

Tip toe forward
From there I try and maintain the same actions but I just tip toe forward--on the very tops of my toes.


A common challenge as you tip toe forward is to keep the tummy firm.  It helps if you keep your knees bent and stay on the tops of your toes.  

I keep all the same actions from before, lifting chest up into upper back, sitting bones down and top of pelvis back to lengthen lower back, feeling as though I am moving my hips forward.

Stay or bakasana
You can just try and stay there, on the very tops of your toes, lifting your chest, firming your tummy.  It is really hard!!


Or you can initiate bakasana by dropping your butt a little, lifting your knees up higher as though into your chest, lightly resting them on our upper arms.


You can stay there or, if you feel light, you can lean forward until the toes feel light and then you can pull the heels into the bottom.


You can still see my little gills breathing.  That is important.  I am firm but calm.

Optional extras!
I am too chicken to do handstand on a bench like that.  I have not yet got the strength.

But if you have built these foundations then a handstand should get easier.

I do the same thing but get onto my tip toes and start to take one leg up.


I give a little tap...


...and up I come...



Sthira sukham asanam.  Firm but calm.

Summary
I have written a few posts about bakasana and even kneeling plank and plank before.

That is because they are really important!

Get a good high plank.  Then keep the actions and get a good bakasana.

These will help build the foundations.

There are other poses that you can do from bakasana so that you do not need to kick up into handstand but instead float from bakasana straight up.  I am still working on that one!  In the meantime, I enjoy the inversion with free spine.

This is the type of step by step approach to movement and posture I use in classes, workshops, and retreats.  You are welcome to join me any time!

Happy and safe practicing.

Much metta,
Samantha

www.artofliferetreats.com
www.yogacafecanberra.blogspot.com
www.yogacafelk.blogspot.com

Friday, June 27, 2014

Is it wrong to take your shoulders towards your ears in when taking arms overhead?


Me in natarajasana where I need to move my armpits forwards and upwards so I don't squash my back.  [photo from Canberra Yoga Space].


Is it wrong to take your shoulders upwards as though to your ears? 

Do you know you have muscles put on your body to do precisely that?  Has your body been designed incorrectly?

It is not wrong to take your shoulders upwards towards your ears.  Ordinary life requires it, especially when reaching overheard. 

Go find a shelf that is beyond your reach and try to reach for something that is on it.  Barring any shoulder/neck issues you will no doubt automatically take your shoulder forward and upward.  If you looked to the side you could probably smell your armpit it is so high.

If you have young kids then take them to a playground and watch them swing and hang from bars.  You will see that when they hang their shoulders are right up beside their ears (and they will probably bring their knees to their chest with ease, something that most adults cannot do!). 

The movement of shoulders towards ears is a natural movement that will happen in overhead reaching, often with a little side bend if you are doing it one-armed.

So I have to ask myself why am I being told in some yoga classes I attend to take my shoulders away from my ears when they are overhead?

[And I have to ask myself why did I sometimes say this to students when I was a new teacher?  Certainly not because my senior teachers had ever told me to.]

Here are some reasons I have come up with.

·      People think that a lot of us already have tension around the upper shoulders and next and hold our shoulders in a little shrug so as a yoga teacher we should tell them to counter this by keeping them down away from the ears.
·      People think it squashes the neck to take the shoulders to the ears in overhead movements.
·      People want to strengthen muscles around the shoulder blades, especially when they give the instruction to pull the shoulder blades down and together. 

There could be other reasons as well and it would be great to hear from people about this.

Here is why I am not comfortable with those three reasons as being sufficient explanation or justification for teachers to give the instruction to move the shoulders away from the ears in overhead reaching. 

Overhead reaching includes poses like adho mukha svanasana (downward dog), adho mukha vrksasana (handstand), urdhva hasta tadasana (standing with arms overhead), utkatasana (fierce or chair pose), urdhva dhanurasana (back arch from the floor), and virabadhrasana 1 (warrior 1).  There are many more, including most of the advanced backbends where you reach and catch a toe behind your head, as well as inversions like pincha mayurasana and headstand.

First, it is true that many of us hold subconscious tension around the upper shoulders and hold them in a little shrug.  But we generally hold them in a little shrug, not a big one, and the shoulder never gets the chance to go all the way up.  It is important to encourage people to take their joints through their full natural range of movement.

Also, sometimes people who hold persistent slightly shrugged shoulders might not be aware they are doing so.  Sometimes activating the muscles with consciousness and taking them all the way up can alert them can help them become aware of this and learn to notice when there is slight tension and then learn to try to relax.

Importantly, as I discuss later, if they are going to take their arms overhead for advanced postures they need to take learn to move their shoulders towards their ears when it is required or they will squash their spine.

Second, it is true that it can squash the neck if you take your arms overhead and lift shoulders to ears.  However, that is often because people are trying to take their arms overhead and then behind their ears or level with their ears.  Most western people are way too stiff to be able to do this correctly. 

Instead, if you take the arms overhead and push the armpits forward and up you should find any neck squashing tendencies are countered. 

Allow people to keep their arms in front of their ears and encourage them to push their armpits in the direction they are facing. 

If anyone still feels any neck squashing then you could instruct them to take the arms lower so they are in front of the face (but still pushing armpits forward). 

Third, I believe this is probably an instruction that is not helpful in yoga with overhead reaching positions.  The reason is I have seen it given mostly in positions where the spine is upright and also extended (going towards a backbend). 

In a backbend you want to use your arms to help you create length in the spine, not compression. 

The instruction to move the shoulders down and together will create compression in the spine.

The instruction to move the armpits and shoulders up and forwards will create length in the spine. 

To tell people to bring the shoulders down in poses like utktasana or virabadhrasana 1, where the lower back is already more likely to be squashed (though with careful practice it will not be), will place most people at risk of further squashing their spines. 

It is not until you start to move into more advanced postures that you realize the real importance of being able to take shoulders up and forwards.  Drop-backs, backbends from the floor and advanced backbends that involve reaching arms overhead to hold onto a foot that is also circling behind and up (like a full natarajasana or kapotasana) all require you to take the armpits towards the ears. 

Ask any practitioner who is in those poses to do otherwise and they will instinctively tell you no way as it will shorten the back body, which they are trying to lengthen. 

My view is that we are trying to help people free their spines, not squash them.  So let’s give them instructions that will help them in that regard.  While you may not be teaching your students these advanced backbends, poses like vira 1 and utktasana are preparatory poses for those positions and if you do not give appropriate instructions in those poses they will never get to the more advanced versions.

If you want to help them build strength around the shoulder blades through actions of drawing them back and down there are other postures more suitable.

These include poses that require interlacing behind the back, or the floor backbends that do not involve taking the arms overhead such as up dog or the simple forms of dhanurasana where you hold the ankles (but not the full dhanurasana which has you take the arm forward and overhead to reach the toe), or simple bridge poses with arms interlaced behind the back. 

It might be a more useful cue for your students to watch they do not flare their lower ribs forward as they take their arms overhead. Stiff people will often use spinal extension to get their arms fully overhead by pushing the ribs forward to compensate for lack of movement in the shoulders.  This can again squash the lower back and it is perhaps more useful for them to not take the arms so high so the spine is not masking the work. 

I want to finish by being clear that I am talking about taking shoulders to ears in overhead reaching positions.  Also, I want to be clear that I do not think it is wrong to take shoulders away from the ears (depression).  That is also a natural movement of the body. 

However, I wanted to inspire some thought about considering the consequences of what you instruct and whether your instruction is contradicting another instruction you are giving, or whether you really mean to be giving that instruction for that particular pose.  I see this frequently when teachers tell me to lengthen my spine in vira 1 and then come and tell me to pull my shoulders down and back. 

For me, the best instruction to give is to tell people to activate their armpits when taking the arms overhead so the armpits press in the direction they are facing.  In an overhead position this is forward and upward.  I learned this from Simon and Bianca at Yoga Synergy.  

This simple instruction can be applied to positions where the arms are not overhead, such as plank, where again you can just instruct people to push the armpits in the direction they are facing (in that case down towards the floor and towards the hips).  If I take my arms behind my back I can press my armpits down and towards one another.  You can learn more about this and other tips to enhance your yoga practice via the Yoga Synergy online anatomy course


While about to post this, I also found another article that explains some of these ideas from an anatomical perspective written by Dr Roger Cole.  You can link to it here.

Also, last year I also wrote a post about taking the shoulders away from the ears!  There, I focussed on addressing the tension that gives some of us chronic tension and causes that habitual half-shrug look about us in our day to day life (I rather, perhaps unthinkingly called it rugby neck, mainly based on the look of the shrugging shoulders not necessarily what is happening at the shoulders).  My aim was to get people to use some tricks outside of yoga (e.g., at their desks) to catch that creep, or to provide them with a useful tool to counteract the tension.  However, in that post I clearly stated there are occasions where you want or need to take them up--especially in overhead positions.  I promised to write more on that but it has taken me time.  This article is the article I should have written a while ago on that matter!